Showing 1–24 of 139 results
Various - Gunsmoke – Vol. 7 / Dark Tales Of Western Noir From A Ghost Town Jukebox (10``LP)€18,00
Seventh volume in a limited edition series on Stag-O-Lee.
Limited to 666 copies and packaged in a nice 10” sleeve with center hole.
This is a collection of oddball country weepers, moody rockabilly, widescreen country &
western and popcorn noir from the 1950’s and early 60’s.
So turn out the lights, sit back and relax to the soundtrack from a jukebox in a ghost
For best results: listen to after dark!
Davis Link - Laissez Les Bon-Ta-Ru-La (Let The Good Times Roll) (10″LP + CD) (10``LP)€27,50
Ilmestyy Lokakuun 8. SAA VARATA!
• Bear Family Records® presents the first high-quality vinyl LP (25 cm) with recordings of the blues
shouting rocker, fiddle and sax player Link Davis from Northeast Texas.
• His 1953 rendition of the Cajun anthem Big Mamou helped open the door to this often-closed and
• Davis is considered as much a Acadian as those whose ancestors made the exiled journey from Nova
Scotia in the eighteenth century.
• Link laid down his unique sound – an amalgamation of Cajun, blues and rockabilly that culminated in
1958 with the rocker Bon-Ta-Ru La (Let The Good Times Roll).
• A Gulf Coast musical gumbo featuring rockers (Permit Blues, Airliner, Come Dance With Me), bayou
blues (Rice & Gravy), swamp ballads (Visions, Memories Of You) and sax instrumentals (Beatle Bug).
• The sound of the Cajuns was buoyed by brilliant guitarists Junior Beck and Joey Long.
• This collection features liner notes penned by music historian Michael Hurtt in the accompanying
Vincent Gene - We Sure Miss You – Commemorative Album 10″LP + CD (10``LP)€27,50
• Bear Family Records® releases an LP/CD combination in commemoration of the 50th anniversary of
the passing of the great Gene Vincent, ’The Cat Man’!
• In his time, he influenced the international, and especially the British, music scene like no other.
• Between 1956 and 1961, eight of his songs entered the British Top 40!
• For the Teddy Boy movement he was and remains an idol!
• For this 10inch LP, Bear Family has compiled eleven of his timeless rockers plus the ballad I Sure Miss
• The bonus CD delivers 22 more highlights from 1956 – 1958, including rare recordings.
• Detailed liner notes by Marc Mittelacher in the large format illustrated bo
Fury Billy - Three Saturdays With Billy (10``LP)€29,90
Upea julkaisu. Hieno 4 vöri kirjanen mukana. MUST KAIKILLE BILLY FURY FANEILLE!
Following his signing to EMI in December 1966 Billy Fury would record some eleven singles for Parlophone until late 1970, and for much of this period he continued to regularly record live sessions for the BBC. However, as was BBC policy during those times, most of these live recordings were destroyed and only eight tracks from 1967 to 1970 have since appeared, and nothing from 1968 and ’69 was known to survive — until now. Top Sounds’ new release — Three Saturdays With Billy — is literally just that, offering seven previously unreleased live recordings performed for the Radio One programme Saturday Club, as well as an audio of a performance taken from an appearance on Simon Dee’s Dee Time TV show. Those Saturday Club performances were saved from actual broadcast tapes and survive in superb quality, and include unique versions of tracks such as David Bowie’s ’Silly Boy Blue’ and the Bee Gees’ ’One Minute Woman’, as well as some scintillating rockers like Billy’s own ’Bye Bye’ and Chuck Berry’s ’Sweet Little Sixteen’. Billy’s studio capture of ’I Love You’ was never released in his lifetime and though a nice version was issued on The Missing Years compilation, the feverish rendition here recorded with his then backing group the Storm ranks as Billy’s wildest recording ever. Two interviews with Billy also survive from these broadcasts and feature on this release and Billy’s most left field single – ’Phone Box’ – gained some TV exposure on the aforementioned Dee Time, and the maestro here plays guitar and sings it live.
Three Saturdays With Billy is available on both 10″ vinyl and CD, the record comes with a profusely illustrated 24 page booklet including unpublished photographs, the CD too features a 24 page booklet and also includes a radio broadcast of his ’Lady’ single introduced by Billy himself.
Three Saturdays With Billy is a legitimate release arranged with the BBC, and with the permission and blessing of the Billy Fury Estate.
Various - Blue Moon & Bella Records (10``LP)€20,001 vinyl 10″LP with 8-page booklet. 12 tracks. Total playing time approx. 28 minutes
- For the first time on a vinyl LP, Bear Family releases 1950s masters of two California-based record companies!
- John Pusateri from Louisiana moved to the West Coast in the 1920s and first founded Bella Records in San José and then Blue Moon Records in Santa Clara in 1957.
- For this project we have selected the rockiest recordings of Johnny Amelio Chuck Royal, Joe Gradie and other fine rockers.
- The booklet provides extensive liner notes, detailed discographical information,
- rare photos, and a detailed history of the Blue Moon and Bella labels.
- Carefully restored and remastered recordings.
Various - Little Heart Attacks From North Carolina -Rockabilly and Rock ’n’ Roll on Oak Records 10″LP & CD (10``LP)€27,50
1-LP 10inch with bonus CD, 8-page booklet (8″x8″), postcard, 12 tracks (LP), 25 tracks (CD). Total playing time approx. 28 min. (LP), 60 min. (CD).
Strictly limited to 500 copies, this exclusive LP/CD combo on Bear Family is dedicated to Oak Records, a small, only sporadically active label from North Carolina.
Only eight singles were released on Oak Records between 1957 and 1966.
The original Oak records are rarities and sometimes hard to find.
The Bear Family bundle of LP and CD provides for the first time all recordings made for the Oak label, including originally unreleased alternate versions; three titles for the first time on CD and LP!
Rockabilly collectors appreciate such great artists as Don Hager, Glenn Johnson and Bobby Green, R&B fans will be delighted with the rare recording of Big Jay Mercer.
With this edition we document a small yet significant aspect of the music history of the state of North Carolina.
High-quality pressing, luxurious cover, bonus CD in full-color sleeve, a postcard and a large-format booklet with the results of the meticulous research by author Lightnin’ Wells and producer Nico Feuerbach!
The ending of World War II brought the age of the independent record label and introduced new, often younger, artists who were no longer beholden to the demands of the major record labels. Eastern North Carolina stretches from east of the Piedmont area of the state to the Atlantic coastline, Eastern Carolina was known as a tobacco belt because of the large number of tobacco warehouses and markets.
During the late 1950s a small record label was established in. The label was established with guidance from and based on the fame of local celebrities, Mustard and Gravy who were a comedy/musical. Oak Records mainly promoted younger local performers who were attempting to establish their musical identity through the new medium of Rock ‘n’ Roll yet filtered through their own rural North Carolina culture, upbringing and experiences.
Such colorful acts such as Don Hager & The Hot Tots, Glenn Johnson & The Acorns and P. Jay & The Haystackers made their few recordings for Oak Records and then vanished into obscurity leaving hardly a trace of their stories behind. These recordings on the Oak label remain as some of the most prized and desirable among collectors of rockabilly records and indeed are some of the rarest. Enjoy this taste of 1950s tobacco belt Rock ‘n’ Roll Eastern North Carolina style!
Vincent Gene - A Gene Vincent Record Date With The Blue Caps (Ltd) (10``LP)€27,00
• Reissue of the rare Japanese 1958 Capitol 10inch LP. Plus 2 bonus tracks!
• Reproduction of the rare original cover jacket
• Painstakingly remastered for highest fidelity
• Pressed on high quality vinyl!
• Limited to 500 copies pressed on color vinyl
• An exciting 1958 album featuring the snarling Gene Vincent, rock’s original bad boy, the blueprint for ’The Rocker’. Behind him are the Blue Caps (the 2nd generation with the late great Johnny Meeks on guitar), a band that was arguably the toughest, excellent musician craftmanship paired with the right nose for the stage, not only a band playing, but playing a show. The musicians throw themselves into even the inferior material with a feral energy that never flags. Even Vincent’s hands throwaway filler and cornball standards gain an unexpected edge. We have added ’Dance In The Streets’ and ’Anna Annabelle’ as bonus tracks! Yeah!
Domino Fats - Teenageparty With Mr. Domino (10``LP)€27,00
• 10inch LP (limited edition – colored vinyl)
• 12 tracks. Unique 10inch in our 11000 collectors series
• Reproduction of the rare original album cover art, designed for the Durtch market
• Painstakingly remastered for highest fidelity and pressed on high quality vinyl!
• Limited to 500 copies pressed on color vinyl
Antoine Domino Jr. called ’Fats’ had been active since the 1940s for almost 70 years. He was one of the stable towers of strength of New Orleans rhythm & blues and rock & roll. The re-release of this rare 10 ”LP, originally released in the Netherlands, is our homage to the artist who died on October 24, 2017.
In November 1962 Fats Domino performed at the Concertgebouw in Amsterdam in front of about 2400 enthusiastic fans. This event prompted the record company to release a 10“ LP with selected studio recordings. Fats will be remembered as the most unexcited and relaxed rocker of all time. Anyone who has ever seen him on stage at his grand piano in front of his big band will remember it with a smile.
Lee Brenda - Same (Ltd) (10``LP)€27,00
• 10inch LP (limited edition – colored vinyl) in our 11000-series.
• Mega rare Japanese 10″LP release from 1960.
• Originally only released in Asia, a 10″ version of her probably best known long-playing record.
• A rock ’n’ roll milestone, originally released on Decca!
• In addition to the ten tracks on the original Japanese 10″LP, the re-issue contains two bonus tracks, little-known rock ’n’ roll highlights from Brenda Lee’s catalogue.
• Reproduction of the rare original cover from Japan.
• Carefully remastered for this LP edition and pressed on high-quality vinyl!
• Limited to 500 copies pressed on color vinyl
The recording sessions for ’Brenda Lee’ took place between 1958 and 1960 in Owen Bradley’s recording studio. ’Brenda Lee’ was released as her regular second studio album in August 1960 and contains Brenda’s first big hits Sweet Nothin’s and I’m Sorry. It is considered a classic of rock’n’ roll. The extremely hard to find 25cm version, at that time exclusively issued in Japan and now re-released by Bear Family, came onto the market with ten instead of the regular 12 titles. We have added two bonus tracks that fit perfectly into the original release!
This vinyl classic should not be missing in any record collection!
Twitty Conway - The Rock & Roll Story (Pink + bonus photo) (10``LP)€29,00
1:1 reproduction of an extremely rare Japanese pressing, a limited collector’s edition!
This 10inch LP was originally released in 1962 on the Japanese MGM/Columbia label, catalog number ZL-5072.
Very rare 10′ album from the collection of Marcel Meersmann.
Original MGM recordings from 1958 to 1960 – a potpourri of rock & roll classics.
A total of four bonus tracks that were not on the original album: ’Platinum High School’, ’I Vibrate (From My Head To My Feet)’, ’It’s Only Make Believe’ and ’Long Black Train’.
Carefully remastered for the highest sound quality and pressed on high quality vinyl.
Limited to 500 colored copies!
From 1959 to 1964, Conway Twitty was under contract with MGM. During this time, he released a variety of rock ’n’ roll and R&B cover versions and his own rock numbers. ’It’s Only Make Believe’ made it to the top of the pop charts and became his biggest hit,.
Various regular LP versions of the album ’The Rock & Roll Story’ were released on several continents. This is a reissue of a rare 10″ LP, which was only released in this form in Japan at the time.
Kindly Marcel Meersmann gave us his precious original for the purpose of reproducing the original cover. In accordance with today’s technological possibilities, we have added four bonus tracks to the eight titles selected at that time, carefully mastered the recordings for this limited vinyl edition and had the new version pressed on colored vinyl.
Please, note: strictly limited to 500 copies, worldwide! And by the way: from the mid-60s, now under contract with Decca in the USA, Conway Twitty became a successful star of country music. He was elected to both the Rockabilly Hall of Fame and the Country Music Hall of Fame.
Carter Bill - Cool Tom Cat (10″LP + CD) (10``LP)€25,00
1-LP (10″/25cm) with 12 page booklet, bonus CD. 12 tracks (LP), 24 tracks (CD). Total playing time approx. 28 min. (LP), 53 min. CD.
Bill Carter: fantastic rocker from Arkansas!
Luxury edition consisting of a 10″ vinyl LP plus CD with large-format booklet – containing all his rockers from 1954 to 1961!
For example: recordings for 4-Star Records with the Carolina Drifters.
The CD contains bonus tracks by Bill Carter and the Carolina Drifters as well as all the rockers released on the Indio label by Clyde Arnold and Ray Smith, among others.
Carter was rediscovered by Mark Lee Allen, who interviewed him several times and wrote the booklet introduction.
Bill Carter has personally supported our project! Roland Heinrich wrote the detailed liner notes.
Bill Carter was born in 1929 in Eagleton, Arkansas, moved with his family to Oklahoma in 1937 and six years later to Indio in California. His family encouraged his interest in music at an early age and provided funding for singing lessons when Bill was in his teens. Local radio stations presented him before he joined the US Air Force in 1949. During his military service in California he formed his first C&W bands and performed in the San Francisco area and even at a radio station in San Antonio, Texas.
After completing his military service in 1953 Carter joined Jim DeNoone’s country band as a singer and performed at the ’California Hayride’ in San Francisco. In the same year, Bill Carter was the vocalist on the band’s recording sessions for Gilt-Edge Records. Finally, he formed his own trio, with whom he worked regularly over the next five years, pursuing the goal of becoming known beyond the local area. Between 1956 and 1961, Carter recorded under his own name for small and medium-sized labels such as 4-Star, Republic, Tally, Black Jack, Honey B, ’D’, Rural Rhythm and Ozark. The up-tempo number ’I Wanna Feel Good’, produced for Tally in Bakersfield, California in 1957, became his biggest hit and opened the doors to the ’Louisiana Hayride’ and the ’Grand Ole Opry’. Finally, in 1959 he ventured into Rockabilly and recorded ’Cool Tom Cat’.
In the following years Carter followed a new musical orientation and also produced gospel oriented material, not only under his own name. He took part in other recording sessions as a singer and worked as a producer. In the first half of the 1960s he participated in recordings for no less than thirteen different record companies. It was during this period that Bill Carter became a convinced Christian and met a brother in spirit in the Baptist preacher Leonard Sipes, who formerly called himself Tommy Collins. From then on, Carter’s main focus was on Christian music, which he also brought to the stage with his own formation, the Bill Carter Singers, founded in 1969.