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Näytetään kaikki 23 tulosta
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Wray Link - Swan Singles Collection 1963-1967 2LP (LP)
€35,00Quick ViewThe crunching, smack-in-your-face power chords driving hard rock’s thundering heart can be traced directly back to Link Wray. His pulverizing sound forged a new path for rock ’n’ roll guitar, and he was never morelethal than during his 1963-1967 tenure at Philadelphia-based Swan Records.Link unleashed some of the nastiest licks of his phenomenal recording career on the mighty Swan seven-inchers, all of which are corralled on this Sundazed double 180gm gatefold edition, in crunchily accurate sound courtesy of the original mono master tapes!
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Wigsville Spliffs - Same (CD)
€15,00Quick View16 Rockabilly biisiä 80-luvun puolivälistä. Paljon ennenjulkaisematonta ja eriversiot vanhoista biiseistä.Great British Neo-Rockabilly from the Eighties. These guys never actually made an album as such, but this CD is a collection of some of their better stuff, mostly taken off the various compilations they were on. Gosh! How many times did I see ’em at The Klub Foot?! They sure were popular…
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Reverend Peyton`s Big Damn Band - Whole Fam Damnily (CD)
€15,00Quick ViewYou wouldn’t expect this related three-piece to originate north of the Mason-Dixon line, specifically the wilds of Indiana. The trio specializes in stripped down acoustic folk-blues with bits of bluegrass, swamp rock, and twisted folk, all propelled by guitarist Peyton’s unhinged vocals and madly strummed guitar. Imagine a combination of the Violent Femmes’ ferocity and Southern Culture on the Skids’ frantic dirt track mojo, remove electricity and rock from the equation and you’re close to this family act’s untamed approach. Any threesome with more percussion than guitar (Peyton’s wife plays washboard, his brother beats on what seems like pots and pans, but is credited with drums) and no bass, is going to push rhythm to the forefront, but Peyton’s bashing guitar style and slide technique steal the spotlight. As you might imagine, the band’s lyrics reflect the primitive attack with tunes such as Your Cousin’s on COPS,” ”Mama’s Fried Potatoes,” and ”Wal-Mart Killed the Country Store” (so much for the album being sold by the country’s largest retailer) typical of the low rent aesthetic. Regardless, some selections deal with serious, topical issues such as ”The Creeks Are All Bad” (water pollution), ”Them Days Are Gone” (poverty), and ”Can’t Pay the Bill” (the high cost of medical expenses). Rev. Peyton sings and plays like his trousers are on fire and his backing twosome responds in kind. The songs start sounding melodically similar as the program continues, but at a relatively modest 40 minutes, nothing is overdone or needlessly extended. Jon Langford’s (Mekons, the Three Johns) distinctive folk cover art perfectly reflects the raw, raucous, frisky backwoods sensibility at work here.”
