10``LP
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Presley Elvis - The Original U.S. EP Collection No.2 (Picture Disc) (10``LP)
€13,00Sticker: Special limited edition
Side A: Heartbreak Hotel (EP)
Original Catalogue number: (US) RCA EPA 821
Originally released: May 1956Side B: Elvis Presley (EP)
Original Catalogue number: (US) RCA EPA 830
Originally released: September 1956 -
Presley Elvis - The Original U.S. EP Collection No.3 (Picture Disc) (10``LP)
€13,00Sticker: Special limited edition
Side A: The Real Elvis EP
Original Catalogue Number: (US) RCA EPA 940
Released: October 1956Side B: Any Way You Want Me (EP)
Original Catalogue Number: (US) RCA EPA 965
Released: October 1956 -
Howlin’ Wolf - Boy, You Got More Blues Here! Vol. 2 (10``LP)
€27,501-LP 10inch vinyl with booklet, 45 RPM, 10 tracks, total playing time 28:40 min.
Second album with more great recordings from the earliest sessions (1951 and 1952) featuring Chester Burnett aka The Howlin’ Wolf.
The recordings were made by Sam Phillips at his Memphis Recording Service.
At the time, these recordings remained unreleased!
These masters and alternate versions were discovered decades later.
Howlin’ Wolf is one of the giants of the blues with his hard electric blues style and his unique voice that is just bursting with power.
Guitarist Willie Johnson – one of the first to get such brutal sounds out of an amp in the blues … luckily the amp barely survived those sessions.
Digitally copied from the original sources and currently remastered for the vinyl edition using state-of-the-art studio technology: both 10″ albums sound fantastic!
The liner notes and discographical details in the illustrated booklet are by British blues expert and music historian Martin Hawkins.
Also available: ’Boy, You Got The Blues There!’ (BAF14031) with another 10 originally unreleased early Memphis recordings.This and the recently released 10″ vinyl LP ’Boy You Got The Blues There!’ (BAF14031) provide radically remastered early recordings that already reflect the later Chicago blues style of one of the most important exponents of the blues ever!
Captured between May 1951 and early 1953 at the Memphis Recording Service by producer and engineer Sam Phillips, these very first recordings of Chester Burnett aka The Howlin’ Wolf were made when the singer, guitarist and harmonica player was already over forty years old.
A true Methuselah among fellow bluesmen, his modest reputation at the time was an insignificant local radio show across the Mississippi River at KWEM in West Memphis.
It was Sam Phillips who first saw the man’s potential. He had never heard a voice like that, that power, that manliness.That very spring of 1951, Phillips sold his Wolf recordings to Chess Records in Chicago. The first release, How Many More Years, became a national R&B hit at number four on the charts that summer.
The Howlin’ Wolf recorded for Sam Phillips in Memphis for only two years; that time was enough for him and his band with congenial guitarist Willie Johnson to perfect many of his signature phrases, howlers, rhythms, grooves, riffs and solos.
Sam Phillips captured all of these moments of musical development in the ten tracks on this album (and in the ten other recordings on the companion album, ’Boy, You Got The Blues There!’), which lay unreleased in Phillips’ band archives for twenty-five years until they were finally rediscovered.
These recordings signify a milestone in the development of a modern electric blues style of playing after World War II. Never before had such gruff, loud and frightening sounds been recorded and released! The music from these Memphis sessions is vital to all blues fans and never sounded better!
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Various - Exotic Blues & Rhythm – Vol. 14 / Rat-A-Ma-Cue (10``LP)
€25,00A brandnew volume in the successfull Stag-O-Lee series titled Exotic Blues & Rhythm. Enjoy amazing and danceable tunes from the late 50s and early 60s – a handful of Popcorn dancefloor smashs, a few grinding Tittyshakers, awesome Rhythm & Blues – most of them with an exotic twist!
14 songs each on nice 10” vinyl (only)!The CD with the combined volumes of 13 and 14 will be released at the same time.
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Rainwater Marvin - Hot And Cold (10″LP & CD) (10``LP)
€32,501 vinyl 10”LP with 12-page booklet, bonus CD with additional recordings, 12 tracks (LP), 28 tracks (CD). Total playing time 28 min. (LP), 70 min. (CD)
Bear Family Records® presents a 10” vinyl LP with the greatest recordings by one of the most exciting country and rockabilly artists ever: Marvin Rainwater.
The career of this extraordinary musician, who seemingly effortlessly combined country and rockabilly elements to create his very own style, began in 1955.
In the wake of the European rockabilly revival beginning in the late 1970s, Marvin Rainwater enjoyed a much-acclaimed comeback on festival stages worldwide.
This album gives us his very best recordings, and the bonus CD holds more treasures for us, classics alongside rather lesser-known numbers.
Enthralling liner notes by Roland Heinrich Rumtreiber and a deliberately sparse technical mastering treatment of these historic recordings round off the concept – expect first-class songwriting, a first-class performance and … something completely different.Marvin Rainwater was one of the most exciting performers in country music and a revered hero of the European rockabilly revival of the late 70s and early 80s. Restless covered Mr. Blues, and The Blue Cats recorded Hot and Cold; Whole Lotta Woman was a regular on rockabilly radio shows and at record hops.
Marvin Rainwater was his own man, with his own voice, and highly versatile. His incredible vocal range offered a bottom-end baritone for sincere songs, a snarling menace in a rockabilly arrangement, or hit the high-registers to serve as an ersatz-Hank and out-yodel the best of them. Rainwater delivered his songs with heart and soul.
This compilation offers some hot rockabilly, hillbilly bop, and Rainwater’s very own brand of mid-tempo story songs that bridge the gap between pop, country, and rock and roll.
Among Rainwater musts, like I Dig You Baby, Hot and Cold, and Mr. Blues, the 10″ comes up with lesser compiled material like the mountain music inspired Hard Luck Blues or the big-city-main-stream-r&b-ballroom smash Dance Me Daddy, iced with typical Rainwater pop-coating.
This 10″ Bear Family Records® vinyl release further underlines his versatility via hillbilly pop a la Baby, Baby Don’t Go that would have served the Everly Brothers well and sounds like it could have been produced by Lee Hazlewood.
The authentic Rainwater sound is presented in full boom by (There’s Always) A Need for Love, My Brand of Blues, and Love Me Baby (Like There’s No Tomorrow). Marvin also tips his hat to Johnny Cash with It Wasn’t Enough.
The bonus CD fleshes out all aspects mentioned above and excels with the inclusion of rare stuff like the 1956 Ozark Jubilee radio recording of Mr. Blues, two gems recorded with Link Wray and his Wraymen for Warwick, and a must-spin for every rockabilly party – Marvin’s version of Gamblin’ Man (Roving Gambler).
During a time when record companies patterned every upcoming artist after Hank Williams, Marvin Rainwater stood out. He was different – some thought him to be odd. His uniqueness might have been an obstacle back in the ‘50s and ‘60s.
But, for today’s listener, Marvin Rainwater is something to discover and cherish. He ranks among the best of the immediate post-Hank performers. You are in for top songwriting, top delivery, and something completely different.