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Berry Chuck - The Original King of Rock ’n’ Roll (DVD)
€25,00CHUCK BERRY’ tells the story of the Granddaddy of Rock & Roll. In this highly- anticipated OFFICIAL and Fully-Authorized feature documentary, the absolute instigator of Rock and Roll, In this highly anticipated feature length documentary, the absolute instigator of rock ’n’ roll, Chuck Berry, is truly revealed, with unprecedented exclusive access.
Despite his iconic status, and reverence for his talent by rock’s heroes John Lennon, Keith Richards, Steven Van Zandt, Joe Perry, Nils Lofgren and Alice Cooper, all featured, Chuck Berry was a family man. He was a prolific craftsman of word and chords; an undisputed and stunning combination of talent and charisma.
Director Jon Brewer (B.B. King: The Life of Riley, Nat King Cole: Afraid of the Dark), was personally selected by the Berry Estate to produce and direct the inside story of the man known as the bedrock of rock ’n’ roll.
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Mayall John - Nobody Told Me (LP)
€27,00British blues master John Mayall, who turned 85 in November 2018, releases his newest album Nobody Told Me. It features an impressive list of guests, all personal favorites of the guitarist, including Alex Lifeson of Rush, Todd Rundgren, Joe Bonamassa, Larry McCray, Carolyn Wonderland and Steven Van Zandt from Bruce Springsteen’s E Street Band and his own Disciples Of Soul.
Nobody Told Me also features Mayall’s current band of Chicago rhythm section Greg Rzab (bass) and Jay Davenport (drums), along with Billy Watts (Lucinda Williams) on rhythm guitar and regular horn section, whose other notable residency is in the house band for The Late Show with Conan O’Brien.
”This project has been a true labour of love for me,” Mayall says, ”and I can’t wait for people to hear the fireworks that took place.”
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Presley Elvis - Guitar Man / Help Me (Purple vinyl) 7″ + CD (7 single/EP)
€33,00In 1980 Felton Jarvis, Elvis’ record producer for the last decade came to the remarkable idea to freshen up some of Elvis’ recordings. The idea was to add total new backing tracks to Elvis’ voice. This resulted in the 1981 record release of ”Guitar Man”. You hate it or you love it is probably the right thing to say about the album. Felton was convinced Elvis would have loved it. The title track ”Guitar Man” written and first performed by Jerry Reed was one of the tracks considered for the album. Jerry Reed was part of the original recording by Elvis in 1967 and now Jerry Reed was back in the studio with Felton Jarvis to work on the new album. Besides the guitar work he also recorded a ”duet” version of the song.
This version never made it to the album but it probably should have. Felton finished the track most likely for his own pleasure or maybe it was considered to end up on the album. We probably will never know as Felton Jarvis sadly passed away early January 1981 even before the album came out. The second track on this 45RPM / CD combo is ”HELP ME”. The song written by Larry Gatlin of Larry Gatlin and the Gatlin Brothers. This track was not used on the GUITAR MAN album. This track has overdubs by the Gatlin Brothers and when you listen to it you will notice this version was probably not finished by Felton Jarvis, this is either an ”early version” or he never go to the point of finishing it due to his untimely death. Before the album would be released the idea raised to record a so called open-ended interview with Felton Jarvis for the radio stations. Disk Jockeys would be able to ask a question and Felton would answer the question that would be played from a record. The recording for this open-ended interview would take place somewhere in the last week of December. On December 16 1980 Jerry Flowers visited Felton to discuss the questions and prepare the interview. Jerry Flowers recorded this meeting as a test for the upcoming interview. The official interview never took place as Felton Jarvis suffered a stroke on December 19. Resulting in his death January 3rd 1981. RCA decided to release the informal recording on a record for Radio Stations.
This complete recording is now available on this cd. This 45RPM plus CD is available in yellow & purple vinyl.
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Various - Birth Work Death: Work Money And Status In Country Music (1950-1974) (CD)
€24,00From the people who brought you ’Hillbillies In Hell’… Blood, Sweat and Tears.
32 timeless tales of clanging Hammers and pounding Shovels – from wry, dry working-stiff diatribes to bare-chested exclamations – Birth / Work / Death maps the human work experience from anger to joy, poverty to riches. From the muck-crusted mines to late-night jukeboxes – backwoods outsiders and Nashville icons alike waxed odes to the entwined necessities of Work and Money, Status and Competition, Survival and Servitude. Harrowing laments of dank deaths underground, fevered hymns to Mammon, snide ripostes to debt-bondage and exuberant celebrations of family and sustenance. Most originally waxed on private press labels and distributed in tiny amounts, these town criers and tavern-bound troubadours sing of golden highways, slothful byways, factory-floor drudgery and fallow, heartbreaking fields. Years in the making – ’Birth / Work / Death’ presents calloused anthems and bloody ballads from dusty LPs and long forgotten 45s.
All for your lunch-hour listening pleasure.
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Various - Birth Work Death: Work Money And Status In Country Music (1950-1970) (LP)
€29,00From the people who brought you ‘Hillbillies In Hell’… Blood, Sweat and Tears. 18 timeless tales of clanging Hammers and pounding Shovels – from wry, dry working-stiff diatribes to bare-chested exclamations – Birth / Work / Death maps the human work experience from anger to joy, poverty to riches. From the muck-crusted mines to late-night jukeboxes – backwoods outsiders and Nashville icons alike waxed odes to the entwined necessities of Work and Money, Status and Competition, Survival and Servitude. Harrowing laments of dank deaths underground, fevered hymns to Mammon, snide ripostes to debt-bondage and exuberant celebrations of family and sustenance.
Most originally waxed on private press labels and distributed in tiny amounts, these town criers and tavern-bound troubadours sing of golden highways, slothful byways, factory-floor drudgery and fallow, heartbreaking fields. Years in the making – ‘Birth / Work / Death’ presents calloused anthems and bloody ballads from dusty LPs and long forgotten 45s. All for your lunch hour listening pleasure. “WITNESS Howard Vokes and the tragic fate of THE MINER! “HEAR Charlie Gore chase the BLACK DIAMOND! “SEE Tex Williams worship the almighty MONEY!
“Strictly Limited Edition of 500 copies: 250 ‘Blood Sweat Red’ / 250 ‘Coal Mine Black’ (randomly inserted)! “Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia!
“Full dynamic range 2018 remasters direct from the first generation analogue master tapes!
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Cargill Henson - On The Road: The Mega Years Plus (CD)
€24,00Henson Cargill burst into the international spotlight with hiscontroversial crossover hit Skip a Rope in late 1967. By 1971 (afterfurther hits and a slew of great material) the wells at Monument Records had run dry and Henson moved to the Nashville independent Mega Records. It was here that Henson produced perhaps his finest material, the challenging, earthy concept LP ”On the Road”. Loosely themed around the Great Depression and tales of deprivation andvictory over adversity, ”On the Road” is an album of staggering breadthand humanity. ”1932” tells of the blight of poverty, ”Running from TheRain” one man’s flight from hardship to yearning, ”Afraid to Rock TheBoat” a searing rejection of conformity and ”Pencil Marks on the Wall” one of the most heartbreaking tales of war and loss your will ever hear.
Collected here is all Henson’s Mega era material plus a number of rare 45only cuts, scholarly liner notes and period photos and ephemera. All tracks make their very first appearance on CD. Unfair.
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Fogerty John - Blue Moon Swamp (Blue) (LP)
€29,00Special 20th Anniversary reissue of the 1997 album, BLUE MOON SWAMP featuring brand new cover art approved by John Fogerty Won the BEST ROCK ALBUM GRAMMY AWARD In 1998, also, the track ”Blueboy” was GRAMMY-nominated for BEST MALE ROCK VOCAL PERFORMANCE BLUE MOON SWAMP reached #37 on The Billboard Top 200, is RIAA GOLD Certified, and has scanned nearly 850,000 units RTD Features the singles ”Walking In A Hurricane” (#14 Mainstream Rock), ”Blueboy” (#32 Mainstream Rock), & ”Southern Streamline” (#67 Country) CD features the original 12 tracks from the 1997 release plus the 2 bonus tracks from 2004 reissue 1st time ever available on LP, features the original 12 tracks from 1997 plus download card to access the 2 bonus tracks
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King B.B. - Blues Is King – Don`t Answer The Door (180 gram) (LP)
€27,00LIMITED EDITION CLASSIC LPs WITH ORIGINAL ARTWORK 180 gram VINYL AUDIOPHILE PRESSING
This Elemental Music 180-gram LP reissue presents an album which is considered B.B. King s definitive live recording: the essential Blues Is King, originally released in 1968 by the BluesWay label (ABC Records blues division imprint).
Blues Is King was recorded at the International Club of Chicago on November 5, 1966. King and a group of session heavyweights unleash a set of standards and originals upon an eager audience. King is flanked by several revered blues sidemen, including Sonny Freeman on drums, Kenneth Sands on trumpet, and Louis Satterfield on bass, to name just a few. But the star of Blues Is King is the leader, frequently bantering with the club audience, and spinning musical stories of heartache and rage with his impassioned vocal roar and precision blues guitar zeal. An unequivocal must-have for any blues fanatic, and a perfect audio depiction of King s invigorating live act.
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Hurray for the Riff Raff - Small Town Heroes (LP)
€27,002014 album from the Country band led by Alynda Lee Segarra. The album features Segarra who settled in New Orleans after leaving her native Bronx at age 17 with 12 new, original songs all written or co-written by Segarra, with support from a vivid cast of Crescent City musicians.
NPR has said that Hurray for the Riff Raff ’sweeps across eras and genres with grace and grit,’ never more so than on SMALL TOWN HEROES.