7 single/EP
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Dale Dick - Rockin’ Rollin Vol.2 (7 single/EP)
€13,00Quick Viewinfo:
In 1960, Dick Dale released his last single before his surfer days with the small company Cupid Records, from Sherman Oaks, California. On it, he was backed by Tommy Oliver’s band, and its B-side contains THE FAIREST OF THEM ALL, a marvellous piece of orchestrated rock’n’roll, with a crooner touch, that we rescue to open this EP, and which marked the end of his first musical stage.
The B-side of this EP features two previous songs from 1960, both released on his second single for his father’s label, Del-Tone Records. STOP TEASING is a hot rhythm & blues, New Orleans style, a far cry from what Dick had recorded on his early records, topped off with a great guitar solo. It was originally paired with WHITOUT YOUR LOVE, a slow blues, in the same vein as Elvis Presley’s Don’t Ask Me Why, which opens up even more the musical spectrum that Dick was handling before he made his leap to fame.
These three tracks perfectly complement the three ones that make up the first EP in this series, and are a perfect summary of Dick’s rock’n’roll years, before the release of his next single, Let’s Go Trippin’ / Del-Tone Rock, his first one with The Del-Tones and his consecration as the king of surf music.
DeeJay Francho -
Dale Dick - Rockin’ Rollin Vol.1 (7 single/EP)
€13,00Quick Viewinfo:
Dick Dale’s first recording came two years before he formed the Del-Tones and was crowned King of The Surf Guitar. That record was “Ooh Whee Marie,” released on his father’s fledging Del-Tone label in the summer of 1958. Dale was 21 years old at the time and encouraged by his father to learn guitar and trumpet.His musical hero was Hank Williams and other country stars he heard on the radio, including Buddy Holly, whose influence is apparent on “Marie.” He soon developed an impression of Elvis that he took to various talent shows around the Los Angeles area. He won enough of these shows to bring him to the Town Hall Party stage, a three-hour live Saturday night viewing staple
broadcast from Compton. Dale played trumpet in the backing band that accompanied various guest stars.
There was also plenty of rockabilly music from the younger artists on that show, which influenced Dale’s third outing on record, “Jessie Pearl” and “St. Louis Blues,” recorded earlier, but released in the summer of 1960. “Jessie Pearl” was Dale’s first self-penned song. “St. Louis Blues,” an old W.C. Handy jazz number, was a song Dale had picked up learning how to play trumpet. Around July, 1960, Dick Dale formed the Del-Tones and began playing to capacity crowds at the Rendezvous Ballroom in Newport Beach. His next
release was “Let’s Go Trippin’.” He had single-handedly launched the surf music genre.
– John Blair -
Tony And The Monstrosities - Igor’s Party / Igor’s Lament (7 single/EP)
€18,00Quick ViewA Brand New Record From A Brand New Label – WAX NERD
One of the greatest Halloween novelty records ever on one of the best looking labels ever!
Very Limited Edition of only 300 copies in two variations.re-issue. Originally released 1960 by Crypt Records and two years later by Indigo Records (1962)
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Jackson Wanda & Linda Gail Lewis & The Brains - Whose Bed Have Your Boots Been Under? / Heartbreak Hotel (Pink) (7 single/EP)
€16,00Quick ViewTwo leading ladies of rockabilly, Wanda Jackson and Linda Gail Lewis, sister of Jerry Lee Lewis, collaborate on a superb version of Shania Twain’s hit ”Whose Bed Have Your Boots Been Under?”
Additional production and instrumentation by punkabilly superstars Stellar Corpses! Backed with a killer version of Wanda singing ”Heartbreak Hotel” from her excellent 2006 album I Remember Elvis!
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Price Lloyd - The Chicken And The Bop EP (7 single/EP)
€10,00Quick ViewYou may remember Louisiana’s Lloyd Price for his chart-topping ”Lawdy Miss Clawdy” several years ago. The song has since been recorded by just about everybody and Lloyd has maintained a hot presence in both the R&B best-seller list and with his exhaustive touring schedule. A sharp businessman, Price has put his royalties to good use and formed his own record company in DC, the Kent Records Corporation which has resulted in the present EP. Dig this, cats!
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Curtis Mac - Call Me Mac EP (7 single/EP)
€10,00Quick ViewThe tall Texan from Fort Worth, Wesley Erwin Curtis Jr – known to all as Mac – is the most recent signing to King’s rockabilly roster. His first two releases, produced by Ralph Bass at Jim Beck’s studio in Dallas, feature his regular backing of the Galbraith brothers; Kenny on bass and Jimmy on lead guitar, augmented by Beck’s Big D session vets. The two hot platters have been welcomed by the ducktail crowd and are collected here for your listening pleasure.
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Luman Bob - All Night Long EP (7 single/EP)
€10,00Quick ViewStrapping Bobby Glynn Luman was born in the tiny East Texas community of Blackjack, close to Nacogdoches, in 1937, and was set to make a career in baseball before encountering the force of nature that was the Tupelo Flash in 1955. Borrowing the band of his friend Mac Curtis in 1956, Bob cut a series of demos at Jim Shell’s Dallas studio before signing to Imperial, recording these fine sides featuring his pal James Burton on guitar.
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Williams Lew - Gone Ape Man EP (7 single/EP)
€10,00Quick ViewBorn in remote Chillicothe in 1934, Lewis Wayne Williams began hanging out in the local record store in his teens to hear the latest r&b releases and, deciding on a career in music, switched to hanging around Jim Beck’s recording studio in Dallas. He cut his first record in 1953 as ”The Texas Drifter” before signing to Lew Chudd’s Imperial label in 1955 where he laid down these dynamite cuts
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Glenn Johnny And The Jokers - Candy Kisses EP
€10,00Quick ViewJohn Olenn McCord was born in 1936 and played bass in Eddy Dugosh’s Ah-Ha Playboys before forming The Jokers in 1955 to record for Bob Tanner’s local T’N’T label for whom he recorded these four sides. Now signed to Liberty Records in Hollywood and a major movie deal lined up, a big future is on the cards for our boy from San Antone
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Glenn Johnny And The Jokers - Candy Kisses EP (78 rpm/Savikiekot)
€10,00Quick ViewJohn Olenn McCord was born in 1936 and played bass in Eddy Dugosh’s Ah-Ha Playboys before forming The Jokers in 1955 to record for Bob Tanner’s local T’N’T label for whom he recorded these four sides. Now signed to Liberty Records in Hollywood and a major movie deal lined up, a big future is on the cards for our boy from San Antone
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Grayzell Rudy "Tutti" - Let’s Get Wild EP (7 single/EP)
€10,00Quick ViewLittle San Antonio firecracker Rudolfo Jiminez signed with Fabor Robinson’s Abbott label at 20 years old where he was rebranded as Rudy Grayzell. In 1954 he spent a year at Capitol as ”Rudy Gray” but is now making hot wax with the Starday company as Rudy ”Tutti” Grayzell – a name bestowed on him by King Elvis when they duetted on a version of ”Tutti Frutti” together!
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Mack Billy - It’s Saturday Night EP (7 single/EP)
€10,00Quick Viewat West Texas State College. It was an easy step from announcing and emceeing hillbilly shows to performing and the Imperial people gave him his first recording contract in 1951. A switch to Starday Records in 1956 shows that a new cat just got in town…
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Feathers Charlie - Collection 4 x 7″ Record (45 rpm) (7 single/EP)
€50,00Quick ViewIn September 1978, Charlie Feathers, along with his son Bubba on guitar and Pee Wee Truite on double bass, recorded a special programme on NBC TV in Houston, Texas, where he played several of his classic songs in the same way he did in the 1950s: without drums and with all the mojo of the original rockabilly.
That recording has the same essence as his tracks 25 years earlier on Meteor or King Records, so much so that they could pass for alternate takes of some of his hits, or newly discovered original cuts, and, although they have been released several times on LP and CD, they have never been pressed on 45 rpm single. Until now.
Sleazy Records collects 6 of those tracks and releases them in a deluxe 4 x 7″ collection, including a postcard inside each one, and making with the back covers an original puzzle of Charlie and his band in the late 70’s.
The four singles are also completed with Charlie’s legendary cover of Hank Thompson’s WILD SIDE OF LIFE, recoded in 1969 at Judd Phillips’ Select-O-Hits studio in Memphis with his old Sun Records colleagues Marcus Van Story and Ramon Mauphin, and the second version of RAIN, recorded with Bubba Feathers in the early 70s.
A deluxe package that brings together eight fantastic rockabillies that certainly deserved to be released in this format.
