CD

Näytetään tulokset 1–24 / 439

  • Various - Rockin Soul Party Vol. 4 (CD)

    15,00

    The metamorphism of sounds featured in Let’s Throw A Rockin’ Soul Party Volume 04 (KM-CD-133) is derived from rhythm & blues music with a “New Breed” influence from the up and coming stars of the genre and they are taken from the years 1957 through to 1963.

    Quick View
  • Springfield Dusty - Dusty Sings Soul (CD)

    18,00

    From the very start of her solo career, it was Dusty Springfield’s intention to make records in the style of the black American artists that she admired, both professionally and personally. She recorded her version of a soul song at her first solo session and was still recording soul songs on all of her albums, singles and EPs throughout the ’60s and into the ’70s. Dusty Sings Soul is a long overdue and carefully curated collection of recordings from Dusty’s ’60s singles and albums, designed to demonstrate that she was not only the UK’s finest female singer but also it’s finest soul singer of her era and, for many, of all time. There is no shortage of Dusty compilations out there, but this is the first one to exclusively concentrate on this particular side of her far-reaching work. These are not ’covers’, in that Dusty never directly covered any record until the original had run it’s course. Dusty simply recorded songs that she loved herself, and that she hoped her fans would love. Dusty was a big fan of many of the artists whose songs she recorded and helped to raise their profile in the UK through her interpretations of their work. For soul fans who love Dusty but who only want to hear her singing soul, rather than the show tunes and/or pop ballads that she was equally at home with, this will be every bit as essential as her Dusty In Memphis album and the records she made in Philadelphia at the very end of the ’60s with Gamble & Huff. The booklet is generously illustrated and copiously annotated.

    Quick View
  • Drifters - We Gotta Sing – The Soul Years 1962-1971 (3CD Boxset)

    30,00

    • Collection of 76 recordings by The Drifters featuring all of their chart hits of the period 1962 to 1971; including mono/stereo alternate takes of titles and five unissued songs only ever available on long deleted CDs released in 1996

    • With two long-thought lost recordings, never originally released, ‘I Dig Your Act’ and ‘You And Me Together Forever’ making their world-wide debut on this 3 CD set.

    • Compiled, annotated and produced for re-issue by Bob Fisher with assistance from one of the leading experts on Drifter’s history, Pete Burns. Designed by Michael Robson and mastered by Simon Murphy this is the definitive collection of one of The Drifters’ greatest eras – ‘The Soul Years’

    The Drifters have always been one of the most beloved of all African American male vocal groups. This 3CD set is devoted to what we have called for simplification purposes, ‘The Soul Years’. It presents, in chronological order, all of the recording sessions they undertook for Atlantic Records between June 28th 1962 and January 5th 1971.

    The accompanying booklet lists discographical information including the group line-up, the writers of the songs, the location and date of the recording sessions, and if known, the producer and arranger of the tracks. Plus, all of their UK and US chart positions

    The Drifters were originally formed in 1953 by Clyde McPhatter, one of the most influential of ‘50s R&B vocalists. By 1958 the group had been replaced by another group by their manager and this group featured Ben E King as lead singer for a short time. Lead singers on the ‘Soul Years’ sessions are mainly Rudy Lewis or Johnny Moore.

    By 1962 the group moved on from their early ‘50s R&B roots and late ‘50s symphonic pop sounds to embrace the coming of Soul music. Their journey through this genre was helped by renowned songwriters like Carole King, Gerry Goffin, Ellie Greenwich, Doc Pomus, Mort Shuman, Burt Bacharach, Hal David, Barry Mann and Cynthia Weil and producers like Bert Berns, Jerry Wexler and Jerry Leiber & Mike Stoller.

    Quick View
  • Washington Gene And The Ram Jam Band - Live On Air 1966 -1969 (CD)

    27,00

    London Calling proudly presents Geno Washington and The Ram Jam Band, live in session from London 1966-1969. Professionally re-mastered original broadcast recordings with background liners and period photos.

    Tracks 1-3: 19/08/1966
    Tracks 4-6: 28/10/1966
    Tracks 7-9: 27/01/1967
    Tracks 10-11: 17/03/1967
    Tracks 12-14: 11/08/1967
    Tracks 15-17: 06/10/1967
    Tracks 18-20: 16/08/1968
    Tracks 21-23: 27/12/1968
    Tracks 24-25: 27/06/1969

    Tracks 2, 5, 8, 13 and 16 with interview.

    Quick View
  • Sweet Inspirations - Let It Be Me: The Atlantic Recordings 1967-1970 (3CD Box) (CD)

    38,00

    Three CD set featuring 66 tracks by The Sweet Inspirations cut for Atlantic Records between 1967 and 1970.

    A comprehensive collection from the voices behind a plethora of hitmakers including Solomon Burke, The Drifters, Aretha Franklin, Elvis Presley, Wilson Pickett and many others, who were signed in their own right by Jerry Wexler.

    Including the Top five R&B and Top 20 pop hit, ’Sweet Inspiration’.

    The set also includes eight tracks with the line-up including Ann Williams who replaced Cissy Houston; produced by Dave Crawford and Brad Shapiro, it was originally intended for release as an entire LP and has never been released in full until now.

    With stellar liner notes by renowned US writer/essayist Tim Dillinger including extensive quotes from Estelle Brown specifically for this reissue, and produced by SoulMusic Records’ founder David Nathan, with mastering by Nick Robbins and artwork by Roger Williams.

    Quick View
  • Various - Stop The War: Vietnam Through The Eyes Of Black America 1965-1974 (CD)

    18,00

    This month sees the release of the last in Kent’s trilogy spotlighting black America’s involvement in the Vietnam war. Presented in loosely chronological sequence, Stop The War contains many highly significant musical statements on various aspects of the conflict, from shipping out to coming home. Even though the Vietnam war has been over for almost half a century it’s still possible, through these songs, to feel the frustration, anger and sadness that many Americans felt towards a conflict that lasted far too long and claimed far too many lives on both sides. Featured artists include major names such as Marvin Gaye, the Impressions, Dionne Warwick, William Bell, and the Staple Singers alongside lesser known but equally worthy contributors including Michael Lizzmore, the Pace Setters, Charles Smith & Jeff Cooper and Artie Golden, all of whom have something important to add to the story. The vast majority of these tracks have not previously appeared on Kent, and several make their CD debut here. Annotated and illustrated as copiously as you would expect a prestige Kent project to be, ”Stop The War” is a fitting and forthright finale to a trilogy that has been extremely gratifying to bring you. We are confident that demand and acclaim for this one will be as strong as it was for the previous two volumes.

    Quick View
  • Franklin Aretha - The Electrifying + bonus (CD)

    13,00

    Reissue of Aretha Franklin’s ’Electrifying Aretha Franklin’ plus bonus album ’The Tender, The Moving, The Swinging Aretha Franklin’ plus four extra bonus: ’Trouble In Mind’, ’Hard Times’, ’When They Ask About You’ and ’Operation Heartbreak’.

    Quick View
  • King Elizabeth - Living In The Last Days (CD)

    18,00

    Memphis soul gospel queen Elizabeth King recorded her first single in 1970, and if all had gone as planned, she would have made her first album a few years later. Instead, it took another half century, but Living In The Last Days, the latest sacred soul long player from Memphis’s Bible and Tire imprint, captures King at the height of her powers, with the intervening decades only serving to stoke the flames of one of the most memorable voices in modern gospel music. Living In The Last Days is a triumph from the very first intimate vocal notes of the arresting opening track, ”No Ways Tired,” to the similarly moving closer, ”You’ve Got To Move,” dual studies in intensity that each build to a burning climax, bookending a searing selection of songs burnished by the down-home grooves of the Sacred Soul Sound Section. Additionally, the Sensational Barnes Brothers are on board for harmony vocals as are King’s old D-Vine Spirituals label mates the Vaughn Sisters and the D-Vine Spiritualettes.

    Quick View
  • Various - Everybody Makes A Mistake: Stax Southern Soul Vol 2 (CD)

    18,00

    Stax Records in Memphis was one of the centres of southern soul, yet due to it’s many hits and big city location, this often gets forgotten. We redressed that balance with the release of ”Nobody Wins: Stax Southern Soul” but there was so much more to play that we’re back with 20 more tracks that capture the deep emotion and soulful feel of the Memphis behemoth. First up we have found a bunch of previously unreleased tracks. There are two by Eddie Floyd, including his own version of ’Everybody Makes A Mistake’, first released by Otis Redding on ”The Soul Album”; and there’s a stormer called ’Standing In The Safety Zone’ by the Soul Children. We also have alternate takes of originally unreleased tracks by Ollie & the Nightingales and William Bell and have gathered up rare tracks that appeared as bonus tracks on CDs by Jimmy Hughes, Mavis Staples, Shirley Brown, the Newcomers, David Porter, Chuck Brooks and Veda Brown. Of those that saw release at the time, we have obscure B-sides by Eddie Giles, Israel Tolbert and Lee Sain. Singles from Randy Brown, Frederick Knight and the Nightingales are as good as anything the label released, and Isaac Hayes is present with his take on the Banks & Hampton single ’I’m Gonna Have To Tell Her’, one of the great southern soul songs. Packaged with in-depth sleeve notes and extensive illustrations.

    Quick View
  • Turner Ike & Tina - Come Together / ’Nuff Said (CD)

    18,00

    Two early 1970s albums from Ike and Tina. Whilst their live shows packed them in, the duo found it hard to rekindle the recorded success of ’River Deep, Mountain High’. However, these two albums paved the way for ’Nutbush City Limits’ in 1973 with ’Proud Mary’ being a US Top 5 single. Digitally remastered and slipcase. With extensive new notes

    Quick View
  • Sly & the Viscaynes - Yellow Moon: Complete Recordings 1961-1962 (CD)

    20,00

    The amazing, unpredictable, one and only Sly Stone has never made a secret of his innocuous beginnings as a teenaged hopeful in Vallejo, California in the early 1960s. His earliest experiences as a musician and performer on the path to future glories would act as a signal lesson for the youthful Sylvester Stewart in the realities of the music business. A trio of singles with his interracial high school vocal group the Viscaynes, followed by two more releases as a solo, recorded in Los Angeles with producer George Motola, comprise the fascinating apprenticeship Sly needed to undergo on the road to fame. For decades, Sly’s juvenilia has been treated with cynical disdain by a parade of disingenuous collections, most with low-fidelity sound, artificially extended versions, and tracks by unrelated artists. Even recent releases have continued to use the wrong versions of tracks first heard on these exploitative 70s-era compilations. ”Yellow Moon: The Complete Recordings 1961-1962” rectifies this injustice by offering up Sly and the Viscaynes’ entire output from the correct master sources. The earliest tracks are drawn from recently discovered tapes and include the extremely rare B-side ’Real, True Love’, the first disc on which Sly sang lead. There are also several unissued demo tracks produced by teen idol and Viscaynes mentor Gary Stites, as well as the sought-after Jasper Woods 45, featuring an incognito Richard Berry with the Viscaynes on vocal support. The package comes with an extensive liner note by compiler Alec Palao, with much heretofore unpublished information and fresh interview material from the group and associates, as well as commentary from Sly himself. ”Yellow Moon: The Complete Recordings 1961-1962” is truly the last word on Sly Stone’s very first phase.

    Quick View
  • Various - Birth Of Soul: Los Angeles Special (CD)

    18,00

    Ace has very strong links with Los Angeles labels – from our original licensors Modern to ’50s labels such as Combo, Flash and Flip and ’60s soul imprints Mirwood and Money were also acquired; as were Dore and Era, who had notable soul singles in their broad canons. The latter two labels provide a variety of tracks on this early 60s compilation and the recent licensing of George Semper’s music provides the Mandarins’ big city soul collectors’ item ’That Other Guy’, as well as a previously unissued vocal group version of his popular song ’You Better Watch Out Girl’ by the Imperialites. Gary Paxton’s large and mixed stash of tapes included a goldmine of black music gems from soul’s first stirrings. Another brilliant white songwriter-producer who loved black music was George Motola and his recordings of the Vows, Chesterfields and Sylvester Stewart are highlights. H.B. Barnum has always been a major player in the city, his Little Star label was prolific in this period and we have included a duet of his two biggest solo stars Dorothy Berry & Jimmy Norman. Other great LA names such as Arthur Wright, Bobby Day, Hal Davis and Ed Cobb are also involved. Kent Harris’ in-demand Phillips Sisters 45 ’Let Me Be Your Little Dog’ features as does another R&B gem – Hank Graham’s first production ’Sneaking And Cheating’ by Esko Wallace. The world-renowned Spector sound is represented by the great Darlene Love, whose Jack Nitzsche-arranged and produced demo is up there with her best released work from the Gold Star studios. Future Motown star Brenda Holloway’s duet with Robert Jackson as the Soul-Mates shows her nascent talent and young Sylvester ”Sly” Stewart had a glittering career ahead of him. Tina Turner did OK too; her performance with Ike on ’Lose My Cool’ is superb and still under-the-radar. There are five previously unissued numbers including a Sam Cooke-style ballad from Billy Watkins cut at Modern, and Don Wyatt’s captivating beat ballad ’But What About My Broken Heart’. We could have done a box set of the great music that came out of Los Angeles during the early 60s and these are just two dozen fascinating examples of how that city’s soul sound came about.

    Quick View
  • Cropper Steve - Fire It Up (CD)

    9,90

    Ilmestyy 23.4.2021

    Steve Cropper was one of Stax Records main producers, songwriters and guitarist their house band Booker T. & the M.G.’s. Cropper was also a member of the Blues Brothers band
    Rolling Stone magazine ranked him in the top 40 of its 100 all-time greatest guitarists
    Steve Cropper has collaborated with some of the biggest names in music, including Otis Redding, Rod Stewart, Ringo Starr, Dolly Parton, John Lennon, Jimmy Buffett, and many more

    Quick View
  • Hazlewood Lee - 13 (CD)

    18,00

    Includes Lee Hazlewood comic strip, the story of 13 told through original artwork by Jess Rotter

    Includes previously unreleased session outtake of “Cold Hard Times” plus never before heard Hazlewood compositions “Drums” & “Suzie”

    Download card for complete 13 sessions including Larry Marks unreleased album, session outtakes and acoustic demos, 30 tracks total1

    Quick View
  • Lewis Barbara - Don’t Forget About Me: Atlantic & Reprise Recordings (3CD Box) (CD)

    38,00

    Soul Music Records is proud to present a first-of-it’s-kind compilation of recordings by renowned singer/songwriter Barbara Lewis spanning her six years with Atlantic Records (1962-1968) and her brief one-year tenure with Reprise Records (1972). This beautifully-packaged collection, sequenced in chronological order of recording session, includes the first CD release of a number of tracks from both the 1964 LP Snap Your Fingers (Barbara Lewis Sings The Great Soul Tunes) and the 1966 album, It’s Magic. With a total of (68) tracks, including seven non-album singles/B-sides, one previously unreleased cut from 1968 and both sides of Barbara’s sole Reprise single, ”Don’t Forget About Me” features an extensive essay by renowned UK writer Charles Waring with quotes from a rare 2020 interview with Barbara specifically for this box set and comments by Billy Vera and Sharon McMahan

    Quick View
  • Thomas Carla - Let Me Be Good To You: Atlantic & Stax Recordings 1960-1968 (4CD boxset) (CD)

    40,00

    Four CD set.

    SoulMusic Records is proud to present a first-of-it’s-kind complete collection of all of the Atlantic and Stax recordings by Carla Thomas, released between 1960-1968. With a total of 94 tracks, Let Me Be Good To You celebrates ’The First Lady Of Stax Records’ whose 1961 classic hit ’Gee Whiz (Look At His Eyes)’ led to the Memphis-based label’s distribution with Atlantic Records.

    Sequenced by session, the deluxe 4-CD set includes tracks from Carla’s four solo albums, plus the famed 1967 King & Queen LP of duets with the late Otis Redding. The ’A’ and ’B’ sides of all of Carla’s singles – including (28) non-album tracks – are featured including Carla’s duets with her famous father, Rufus Thomas, along with five live recordings from Carla’s 1967 performances in London and Paris with the famed Stax/Volt Revue. Produced by SoulMusic Records founder David Nathan, Let Me Be Good To You – The Atlantic & Stax Recordings (1960-1968) boasts a stellar 8,000-word extensive essay by renowned UK writer Charles Waring with 2020 quotes from Stax executive Al Bell, famed songwriter/producer David Porter, Carla’s sister Vaneese (a recording artist in her own right) and former Stax publicist and songwriter Deanie Parker and others.

    Quick View
  • Parker Bobby - Soul Of The Blues (2CD) (CD)

    22,00

    Virtuoso blues guitarist Bobby Parker inspired John Lennon, Eric Clapton, Carlos Santana, Jimmy Page and many others yet it has taken 66 years since his recording debut for a vinyl LP & CD compilation to be issued under his name. The opening track Watch your Step was played on stage by the Beatles in their Hamburg days who by their own admission, took its riff to fashion the opening to I Feel Fine. And let’s not forget Led Zeppelin’s Moby Dick,which borrowed that same riff. What a great soulful blues singer Bobby Parker was too. From his 1956 recording of Titanic, to 1969’s It’s Hard But It’s Fair, the latest cut on this album, here are 15 unforgettable vocal performances plus two instrumentals that showcase his unique way of playing the blues. Bobby Parker originals are hard to come by – apart from the hit Watch your Step, everything else is a valuable collector’s item.

    But this compilation brings them all together in one box and we can promise a treat in store for you.

     

    Quick View
  • Carter Kenny - Showdown – The Complete 1966 RCA Recordings (CD)

    18,00

    A scintillating, multi-million dollar LP finally gets a release 54 years late.

    The massively admired Kenny Carter had three singles issued on RCA in 1966 but actually recorded 22 sides. Those singles and some previously unreleased tracks have made him a cult figure among soul connoisseurs. At last, we have the complete RCA sessions for you.

    Kenny Carter had two workmanlike 45s issued in the early 60s, to no success. For some unknown reason, in 1965 RCA decided to put him into the large Studio A at Bell Sound in Manhattan with one of the top arrangers of the time, a 20-plus piece orchestra and four top backing vocalists. Three 45s were issued between April and October 1966; none of them charted but the sessions continued with a view to issuing an LP in November. It never happened.

    The arranger Garry Sherman remembered it as a “a multimillion-dollar orchestra and chorus. In the violin section we had at least seven or eight Strads (each valued at $1,000,000+) – many were concertmasters for major symphony orchestras and are on hundreds of hit records.” Backing singers included Val Simpson, Nik Ashford, Leslie Miller and Toni Wine; several excellent songs were provided by Larry Banks’ songwriting team, which included Kenny, Tony May and Herman Kelley.

    However, it was the additional jazz and show standards that gave the album its raison d’être. Garry Sherman wanted to move the songs into the current soul idiom, rather than turn Kenny into a nightclub singer. He moulded the arrangements to suit Kenny’s powerful vocals. Fortuitously, RCA hired a photographer for the sessions and we have eight shots that show the recordings as they happened.

    We have had access to the tapes since the 90s but have only managed to release six of the unissued recordings in a piecemeal fashion, up to now. The full 22 tracks here vary from ballads to uptempo dancers. That voice, supported by such an intelligently utilised orchestra, makes it a true, as yet unknown, pinnacle of 60s soul music.

    ADY CROASDELL

    Quick View
  • Various - The ’Sound’ Of The R & B Hits (CD)

    20,00

    With the Beatles, the Rolling Stones, Georgie Fame and many more mining Motown songs, “The ‘Sound’ Of The R&B Hits” was the first UK compilation of studio recordings from Berry Gordy’s hugely influential label. Now doubled in length, this collection traces the evolution of Motown in the UK to the moment it scored its first chartbuster in May 1964.

    “R&B in Britain is much bigger than anyone suspects,” declared Record Mirror. This observation, in an edition dated 25 April 1964, was based on the results of its Rhythm & Blues Poll – the first conducted by a weekly pop paper in the UK. Very few of the artists listed in the categories had scored hits or even had many records issued in the country, but the poll was timely. Following some wider attention through records and the media, R&B was beginning to emerge dance-step by dance-step from the underground. Arriving in shops around the time of the Record Mirror poll, the Stateside label’s “The ‘Sound’ Of The R&B Hits” LP played a role in opening hearts and minds to the righteous music.

    The poll winners reflected two strands of R&B resonating with Record Mirror readers. Several years after recordings by Chuck Berry, Muddy Waters and Bo Diddley were released, the spirit of Chicago blues had been revived by new British groups such as the Rolling Stones, who released their debut LP in the same month as the poll. The Stones and their blues idols were riding high in the poll. But the creators of the other side of R&B were also represented. Their contemporary music was exuberant, fast-paced and sophisticated. Many of these captivating R&B records originated from the Motown Corporation based in Detroit. For example, Mary Wells was the Top Female Singer and the Miracles were voted Best Male Group in Record Mirror. “The ‘Sound’ Of The R&B Hits” was compiled as a showcase for – as the sleeve note stated – the “sound that identifies a Tamla-Motown production”.

    Many music fans, including Ace Records co-founder Roger Armstrong, were drawn to the Stateside LP due to its intriguing connection to “With The Beatles”. The group’s second album, released a few months earlier, included versions of three Motown songs. Tony Barrow’s sleeve note made clear the Beatles’ “immense admiration” for the Miracles so, unsurprisingly, five tracks by the Miracles are included on “The ‘Sound’ Of The R&B Hits” – although ‘You’ve Really Got A Hold On Me’, covered on “With The Beatles”, is not one of them. Beatles fans would also notice the presence of the original of ‘Money’ and recognise the name of the Marvelettes from the Beatles’ LP sleeve. Although ‘Please Mr Postman’ – the last song on side one of “With The Beatles” – was not amongst the three Marvelettes tracks featured on “The ‘Sound’ Of The R&B Hits”, it is among the 14 bonus tracks on this CD compilation.

    “The ‘Sound’ Of The R&B Hits” was issued when only a small minority knew about the joyous music masterminded by Berry Gordy’s stable of artists, writers and producers. Its track listing is so quirky that the Ace team has selected 14 tracks from the same era to complement the Stateside compiler’s concept of “the sound that identifies a Tamla-Motown production”. As you listen, marvel at the fact that not one of these 28 tracks became a hit in the UK. Then tip your hat to the pioneers and champions who banged the gong for this sublime music to be signed, sealed and delivered at last. Can I get a witness?

    KEVIN HOWLETT

    Quick View
  • Wilson Jackie - Body and Soul / You Ain’t Heard Nothin’ Yet + 4 bonus (CD)

    15,00

    2 LPs on 1 CD. Limited edition 6-panel Digipak with comprehensive inside booklet

    Jackie Wilson was a very important influence on the soul era that followed his prominence in the music business. An electrifying showman and one of the best R&B singers and performers of all time, Wilson’s athletic stage moves influenced performers from Elvis Presley to James Brown, and his astounding vocal range include high-pitched whooping, operatic pop, crooning, and everything in between. This essential release complies two of Wilson’s LPs for the Brunswick la Bel in their entireties: Body and Soul (1962) and You Ain’t Heard Nothin’ Yet (1961). Long unavailable, both splendid albums have been packaged together in this remastered collector’s edition, which also includes 4 bonus tracks from the same period. There’s no better proof of Jackie Wilson’s talents than these consistent, stylish and exuberant recordings.

    ”No other singer of his generation so perfectly combined Jame’s Borown rough, sexy style and Sam Cook’s smooth gospel-polished pop”. – Rolling Stone Magazine

    Quick View
  • Burke Solomon - King Of Rock `n` Soul: Atlantic Recordings 1962-1968 (3CD) (CD)

    37,50

    Great three CD set that celebrates the recordings that Solomon Burke made for the legendary Atlantic Records label between 1960 and 1968.

    Solomon is generally acknowledged as one of the greatest soul singers to emerge during the genre’s golden days. He signed to Atlantic before ’soul music’ became a bona fide sub-genre of African-American music and it was Solomon who helped define this new movement and he was, in fact, one of the first artists to use ’soul’ to describe his music. He would eventually be known the world over as ’The King of Rock and Soul’.

    His Atlantic recordings are presented in chronological order of recording across the three discs and each session is identified by date, location and all the musicians present are identified (where known).

    This celebratory definitive collection includes the content of all six of the LPs released during Solomon’s tenure with Atlantic plus all non-album tracks for a total of 79 soulful cuts.

    Quick View
fi
X