Kuvaus

Any casual listener looking over this 132-track five-CD set would probably conclude that it was far more Bill Haley than they need bite off in one gulp — and they’d be right, as casual listeners. For the serious rock & roll enthusiast, as well as the hardcore Bill Haley fan, however, there’s a wealth of worthwhile material to be found here, some of which will amaze even those fans: a dozen great songs and 55 or so more that are good, and another 20 that are fascinating mistakes, and that’s a good average for an artist who is generally thought of as having generated just a handful of important records. What Haley had most of all was a distinctive sound — between the backbeat, the country boogie roots, and the R&B sources — that pretty much defined white rock & roll for almost its first two years (until Elvis Presley and Carl Perkins emerged in the spring of 1956); the first two CDs here offer that sound in abundance. They offer Haley’s complete recordings from April 12, 1954 (the session that yielded ”Rock Around the Clock”), until July 15, 1957, capturing an urgent, creative, and exciting era in the music and the band’s output, when they seemingly couldn’t help but make good records.