Rhino
Näytetään tulokset 1–24 / 48
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Various - One Kiss Can Lead to Another: Girl Group Sounds Lost and Found (4CD Boxset) (Käytetty CD)
€80,00”The importance of the girl group sound of the early ’60s is often over-looked in the traditional telling of the history of Rock & Roll – in most accounts after the first wave of rockers either died (Buddy Holly, Eddie Cochran), quit (Little Richard), went into the army (Elvis) or married a cousin (Jerry Lee Lewis), hordes of one-named Teen Idols (Fabian, Frankie, Dion) and smoothies (Bobby Rydell, Paul Anka) took over and rock music withered away until the Beatles rescued it. This narrow-minded opinion leaves out so much amazing music (Del Shannon, Jackie Wilson, the Everly Brothers, Lou Christie, the start of Motown, the Beach Boys and the surf sound as well as so much classic R&B) that it makes your head hurt. Add to that list of amazing music the girl group sound. Add the Ronettes, the Shirelles, the Chiffons, Little Eva and the Cookies. Add a style of music that when it is happy is just about the most exuberant sound on earth and when it is sad can completely rip your heart out. The sheer amount of girl group collections that have been released are a testament to the power of the sound and with the release of Rhino’s One Kiss Can Lead to Another: Girl Group Sounds Lost and Found maybe even the rock snobs will get over themselves and get on board. Those who already are hip to the power of the girl group sound will be floating on a cloud after just one look at the track listing. Most of the major movers and shakers from behind the mikes (everyone from the Shangri-Las, Barbara Lewis, Maxine Brown to Dusty Springfield, Jackie DeShannon and the Toys) and the mixing board (Jeff Barry, Ellie Greenwich, the Tokens, Tony Hatch, Shadow Morton, Bob Crewe and Bert Berns) are here along with loads of acts that range from the obscure (Dorothy Berry, Sadina, Sylvan, the Pussycats) to the literally unknown (Marsha Gee). Best of all there are almost no hits to be found. There’s no ”Leader of the Pack,” no ”Stop in the Name of Love,” no ”Going to the Chapel”. Instead the compilers focus on under-rated or rare songs by the top names and the best songs by the second tier and below artists. This decision means there are no tracks that are over-used or obvious and that the disc is brimming with surprises and new discoveries to all but the most in-the-know girl group fanatics. Even they might find something here that will knock their bobby socks off and if not, at least they are in for almost five hours of pure fun.
Rhino’s designers must have had fun too when coming up with the look of the set; it is packaged in a miniature hat box, the liner notes are made to look like a diary and each separate disc is housed in a mock compact. Very cute but a retailer’s nightmare no doubt. The liner notes themselves are mostly wonderful, especially co-compiler Sheila Burgel’s nifty track-by-track annotations, and there are tons of great photos including a shot of the Shangri-Las in the studio that is almost worth the price of the set alone. The music is the real draw however; the four discs and 120 songs are lovingly chosen and sequenced with great care, making sure to keep things interesting by blending styles, tempos and moods in a glittering display of pop genius. The compilers (Sheryl Farber and Gary Stewart) make remarkably few mis-steps and quite a few brilliant decisions. The first and most important one was to cast a very wide net when gathering tracks, namely by looking to the UK for artists. There was very fertile scene there in the early to mid-60s that produced some major talent like Dusty Springfield, Sandie Shaw and Lulu. Indeed some of the collections most exciting tracks are drawn from the U.K. vaults like Petula Clark’s pounding rocker ”Heart,” Lulu’s even more pounding rocker ”I’ll Come Running” (featuring some wild guitar from session whiz Jimmy Page) P.P. Arnold’s definitive version of ”The First Cut is Deepest” and Dusty’s majestic cover of the Baby Washington song ”I Can’t Wait to See My Baby’s Face”. Another fine strategy was picking”
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Various - Cowabunga! – The Surf Box 4CD+BOOK (Käytetty CD)
€100,00Läpileikkaus Surf musaan! Upea boxset! 82 biisiä. 60-luvulta 90-luvulle.
The box has gloss spots on it to make the surfboard cover look like it has been waxed.
Includes a 64-page booklet all about the history of surfing and the bands contained in the compilation.Last track on all four CDs has approximately two minutes of ambient surf sounds (waves crashing, etc.) added after music ends.
_____________”Dedicated to the memory of: George Freeth (introduced surfing to California), Rick Griffin (surf cartoonist), Duke Kahanamoku (Hawaiian surfing legend), Don Murray (drummer for the Crossfires and the Turtles), Gary Usher (songwriter and producer), Steve Wahrer (drummer and vocalist for the Trashmen), Dewey Weber (championship surfer), Dennis Wilson (drummer for the Beach Boys) and Ron Wilson (drummer for the Surfaris).” — booklet
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Los Lobos - Llego Navidad (CD)
€18,002019 holiday release. Rising up out of East L.A. comes the first ever holiday album from Los Lobos. The Grammy-winning group researched nearly 150 Christmas-related songs from across North, Central and South America for the collections, eventually narrowing the list down to the songs they wanted to reinvent in their own inimitable style. They even wrote their own holiday original ”Christmas And You,” especially for the album.
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Redding Otis - Dock Of The Bay Sessions (LP)
€27,00Otis Redding was on top of the world in 1967, highlighted by a career-defining performance at the Monterey Pop Festival. Returning to Memphis that fall, Redding began to explore different musical influences when he entered the studio to record his next album. Tragically, those sessions were cut short after only a few weeks when the singer died in a plane crash on December 10, 1967, leaving his vision for the album unrealized. While there will never be a definitive idea of what Redding’s next album would have been, this new collection is the first to show what could have been.
Rhino will release DOCK OF THE BAY SESSIONS as part of the ongoing 50th anniversary celebration of “(Sittin’ On) The Dock of the Bay.” This Friday, March 16, marks the actual 50th anniversary of the legendary single topping both the pop and R&B charts in 1968 and becoming Redding’s first #1 hit.
DOCK OF THE BAY SESSIONS was compiled with input from Roger Armstrong of Ace Records and Otis biographer Jonathan Gould and has the Redding family’s full endorsement. Although the individual tracks have been previously released across a smattering of posthumous albums and compilations, this marks the first time they have been assembled to resemble what this album could possibly have been. In the liner notes, musician-journalist Bob Stanley writes: “This album is the first indication of a new Otis Redding, one that has slayed audiences in Europe, one which won him a whole new crowd at the Monterey International Pop Festival.”
You can hear it in the stripped-back funk of “Hard To Handle,” and the shades of Bob Dylan – whose music Redding loved – in the beautiful lyricism of “Gone Again.” Even so, his take on the Impressions’ hit “Amen” makes it clear that Redding hadn’t abandoned his gospel roots. He hadn’t forgotten how to get people dancing either. On the rave-up “Love Man,” The Big O gets things shaking with help from Al Jackson Jr.’s propulsive beat, and rhythmic blasts of pure Memphis horn. And just to prove he can still provide heart-stopping ballads, there’s his own “I’ve Got Dreams To Remember,” with lyrics Redding adapted from a poem written by his beloved wife Zelma.
The album’s opener, “(Sittin’ On) The Dock Of The Bay,” was one of the last songs Redding ever recorded. Released in January 1968, it soon topped the charts on March 16, going on to sell more than four million copies and becoming the first posthumous #1 single in the history of the U.S. music charts.
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Harris Emmylou, Ronstadt Linda & Dolly Parton - Trio II (LP)
€25,00Limited 180gm vinyl LP pressing. Originally released in 1999, Trio II won a Grammy Award and peaked in the Top Five of the country album chart. It sold more than one million copies worldwide on the strength of tracks like ”Do I Ever Cross Your Mind?” the Carter family’s ”Lover’s Return” and a cover of Neil Young’s ”After The Gold Rush.” This release is newly remeastered and produced by Emmylou Harris. Dolly Parton, Linda Ronstadt, and Emmylou Harris have three careers unparalleled in music history. Together they have sold over 200 million albums worldwide and performed for decades in front of countless fans around the globe. When these music icons came together to release their debut collaboration, a powerhouse Trio of country and Americana sound was born.