Bear Family
Näytetään tulokset 1–24 / 890
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Wheeler Onie - Onie`s Bop (Käytetty CD)
€25,00Quick ViewAnother of the hidden gems of the Bear Family catalogue! Onie sounded like no one. He played harmonica and sang some of the most moving, gutwrenching country music you´ll ever hear. Recording first for Okeh/Columbia and then for Sun between 1953 and 1957, he didn´t score any hits but cut 31 classics including Mother Prays Loud In Her Sleep, Jump Right Out Of This Jukebox, Booger Gonna Getcha, Run ´em Off and No I Don´t Guess I Will. Don´t pass this one by.
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Lewis Jerry Lee - The Killer 1969-1972 (11 LP Boxset) (Käytetty LP/12)
€175,00Quick ViewUpea ja harvinainen boxi. Mukana myös kirja!!
Comes in a hard LP-size box with 11 LP’s (each one in an individual color printed hard sleeve) and with a 114-page book by Colin Escott.
A second set of three box sets that follow the career of Jerry Lee Lewis from 1963 to end of 1977. (Two other sets have a catalog numbers BFX 15210 & BFX 15229.)
Discs 5 & 6: Live at The International Hotel, Las Vegas, NV, May 22 (Shows 2 & 3) & May 23 (Shows 1, 2 & 3), 1970.
Disc 8: Live at the Brother Davis’ Church, Highway 61 S, Memphis, TN, December 1970.
Disc 11, side U: Live at Toronto Rock and Roll Revival, Varsity Stadium, Toronto University, Canada, September 13, 1969. -
Rich Dave - Ain`t It Fine (Käytetty CD)
€11,00Quick View”This is a pleasing collection of mid-tempo country music, with occasional digressions into rock & roll, built around the relatively mild-pitched persona of Dave Rich, a singer who, by his own admission, has relatively little stake in either genre. ”I’m Glad” might have the feel of jaunty, honky tonk-style country, and ”Ain’t It Fine” has a good country-flavored rock & roll tune, but the boy’s heart — and he was only 18 when some of these sides were cut — was directed to a higher calling, to preaching the gospel. Perhaps that’s why — when coupled with his slightly high-register country tenor (like Webb Pierce), the material here seems so unthreatening, even at its jauntiest and quickest tempo. A lot of what’s here is beautiful — ”City Lights,” one of the few non-originals (authored by Bill Anderson), should have been a major country hit, and seems to capture the contradictions in his heart over where he was heading with his music; at the same time, ”Rosie, Let’s Get Cozy” is as smooth and unthreateningly suggestive a rock & roll number as you could find, with a great beat and feel; ”School Blues” is a jaunty, enjoyable, and memorable account of teen life; and ”Red Sweater” and ”Burn On Love” are both achingly beautiful rhythm ballads, particularly the latter — all are originals that suggest to the listener that if he hadn’t pursued recording, Rich could easily have made it as a songwriter, selling his stuff to the Everly Brothers. Even the bluesy, slightly raunchy ”Chicken House” works well, and ought to have given Rich a foothold on musical immortality. Although some of the sessions are uncredited as far as who is playing, a lot of what’s here features Chet Atkins, Grady Martin, Hank ”Sugarfoot” Garland, and Jerry Byrd, so it’s a given that the playing is impeccable and inventive throughout. The sound quality is excellent, and Colin Escott’s annotation is very thorough.”
